Prevalent message comes at the end of the film in the form of a text-based epilogue that talks about the environmental and humanitarian impact ofĭestroying the rainforest. No flow, no tension, noĬharacterization, a confused plot, and dull characters all take away whatever semblance of a meaning is found in the picture. Meandering nothing of a 79-minute sloth, and that's exactly why Fire on the Amazon is such an epic disaster.
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Platform is going to be a motion picture, the filmmakers must at least try and make a movie that people are actually going to want to watch.Ĭurrent political and social hot-button issues turned into movies aren't going to be worth the celluloid they're printed on if the movie's a dragging, There's something to be said for a movie that tries to give a platform to a social and political issue, It does to embrace, energize, and influence it. Fire on the Amazon is a frigid, careless movie that does more to drive away its audience Unfortunately, the only "fire" here is in the title. travel down the Amazon whereĭanger awaits them at every turn as they search for the truth behind Santos' death and fight for the native peoples and their land that are being Group supporting Santos, his Rubber Tappers, and the rainforest. is freedīy a young woman named Alyssa Rothman (Sandra Bullock, Speed), a fellow American who works for the Rainforest Preservation While in jail, he comes to believe that the man accused of murdering Santos may be innocent. (Craig Sheffer,Ī River Runs Through It) is sent to cover the story, but he's quicklyĪrrested after an altercation with police. However, Santos is murdered and a nation mourns his passing. Passively resisting the destruction of the land.
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Local man, Santos (Eduardo Cesti), has formed a coalition known as The Rubber Tappers to form human shields in the rainforest as a means of Right place and a few choice shots of a naked Sandra Bullock, there's really nothing of interest to see here.Īlong the Amazon, the precious resource known as the rainforest is quickly dwindling under the might of bulldozers and the influence of money. What's wrong with Fire on the Amazon? It might be easier to try and count what's right about it. Some great meaning but only serves to infuriate the wrath of the more critical of viewers or, at its best, frustrate even the most forgiving of The Corman-produced flub of a movie, directed by Anaconda's Luis Llosa, is a terribly inept picture that tries to command All hail from the Producer's golden era New World Pictures heyday from the mid-1970s to the mid-1980s, but something happened on the These and otherĬorman-produced films know their place, stick to formula, and have fun jabbing at modern society, grossing out audiences, or impersonating betterįilms. Trash, but pictures like Death Race 2000, Forbidden World, and Starcrash are at least unpretentious trash. Roger Corman is the man behind the curtain for some of the most memorable and entertaining low-budget fare of the past few decades. Reviewed by Martin Liebman, January 14, 2011